Vazio Esculpido runs three products. One collects customer testimonials. One keeps the operating record of a service company. One puts original art on workplace walls in Sweden. On paper they have nothing in common.
They share one thing: the way they are made.
What we run
EchoNext interviews your customers with an AI that asks the follow-up question a form never would, then turns the answer into a testimonial you can publish. Collection, moderation and embeddable walls in one place. It has its own blog now, at echonext.app/blog — playbooks on testimonials and social proof live there, not here.
Worklogix is the operating record for a service company: hours booked against projects, expenses with the receipt attached, and the reports a client or an accountant actually asks for.
Konstkontoret gives a workplace art that changes with it — artwork no one else has, printed on board, delivered, and swapped through the year so the walls never stagnate. It is the odd one out on purpose: not everything we run is software.
The discipline
A sculptor does not add material. They remove it until the form is clear. We hold our products to the same standard: every feature must earn its place, and what is left out matters as much as what ships.
That standard is getting more expensive to hold, not less. The industry can now generate features faster than it can justify them — AI made adding things nearly free, which means the real decision has moved. It is no longer “can we build this?” It is “does this earn its place?” Most of what we decline to build, you will never see. That is the point.
What this blog is
Notes from the studio, roughly monthly: what we run and why we run it that way, what changed in the products, and what the industry is doing around us — through the same lens of removal. When a note belongs to one product, it will live on that product’s own site. When it belongs to the studio, it lands here.